SPECIAL EDITION CLASSIC IMAGE: THE "CAPTURED FREIGHTER"

Here's another SPECIAL EDITION image from George Lucas' revised universe of 1997 that I think works very well-a shot of the captured Millennium Falcon in one of the Death Star hangar bays. The expanse of the hangar bay is better realized, the Falcon, though a little longer at its front end, is more detailed, the floor pattern tilings match better from left to right and the bay's right side wall has continuity to Imperial design from later films in comparison to the one originally created in 1977 by effects legend Harrison Ellenshaw. No disrespect intended to the brilliant Ellenshaw, though, as, at the time his original painting was done, no real design continuity for the saga had yet been mapped out.

SPECIAL EDITION CLASSIC IMAGE: CLOUD CITY LANDING

Another lovely ILM image to enjoy from the 1997 SPECIAL EDITION's, this time from THE EMPIRE STRIKES BACK, expanding the locations and beauty of the universe that is the STAR WARS saga, and showing the Millennium Falcon confidently making its way towards one of Bespin's numerous outdoor landing platforms. Not enough was seen of Cloud City's exterior in the final quarter of EMPIRE and this moment/extension is one of several additions that opens things up a bit more.

Could a few more picturesque sequences like this be appearing on the upcoming Blu-ray disc/special features for the film?

SPECIAL EDITION CLASSIC IMAGE: BANTHA TREK!

Our celebration of great scenes/imagery from THE SPECIAL EDITIONs continues with this fun shot from RETURN OF THE JEDI showing a Bantha herd in its natural habitat within the Dune Sea prior to Jabba's Sail Barge being seen heading to the Pit of Carkoon. It's a lovely little moment/add on to the film which shows us a bit more of these intriguing creatures, often used for transport by Sandpeople, as well as adding another bit of evocative mystery and beauty to the landscape of Tatooine.

SPECIAL EDITION CLASSIC IMAGE: DEATH STAR APPROACH!

Before the onslaught of the love them or hate them Prequels, I recall that wonderful and nostalgic brief period in 1996-1997 when the world received the return of the STAR WARS Original Trilogy, restored and souped up with CG and other then digital trickery as THE SPECIAL EDITIONS, with bated breath and a great euphoria of excitement and joy that, after twenty years, it was finally coming back to the cinemas. STAR WARS destiny had come full circle, returning to the big screen where it rightfully belonged, and it looked like it was now never going to go away into limbo ever again, and we were all happy for that. Since the original releases, however, and going into the 2000's, there has been an upsurge in fan grumblings and moans about the changes made to Lucas's new visions of the film (some opinions I fully agree with: I always consider that Han shot first! It's in the original scripts!), as well as anger and frustration at the lack of Anamorphic versions of the original unaltered, pre-SPECIAL EDITIONS, being being released on DVD and, so far, Blu-ray, and a general mild but growing dissent, criticism and hatred of the SPECIAL EDITIONs in all forms, especially with the further changes made to them with the first DVD releases of the Trilogy in 2004. It seems that Lucas, considering the most recent versions of the Original Trilogy to be definitive in his eyes (surely until the Blu-rays in September!), can't win any artistic respect these days with a lot of the fans whatever he does linked to the originals.

With next year being the fifteenth anniversary of THE SPECIAL EDITIONS, I thought it might be nice, instead of talking about the things that don't work (as everyone else seems to do online), for AFICIONADO to do an occasional series on the moments, large or small, considered improvements by Lucas to the films, that do actually work and which should be applauded and appreciated, starting off with this terrific image of the Rebel X and Y-wing fighters in space heading towards the Death Star. This new shot is great (I love the original 1977 scenes, too) and I particularly liked the faster movements of the ships and the camera panning with them, adding to the excitement of the film's final decisive conflict.

Look for more great SPECIAL EDITION shots in the not too distant future...